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In the discussion today the “Five Colors” of Buddhism came up, and I mentioned the Tibetan Mandalas. If you look at this sand-painting mandala done at PSU last year, you’ll see the five colors:
Note the border around the edge: White, Yellow, Red, Green, Blue, over and over (clockwise). You can see the same colors in this hand drum. As near as I can tell, the five colors predates most of the explanations offered for their meanings — which is to say, there are lots of different explanations, because everyone seems to be making up new rationalizations for an old practice.
Lady Nijo, in her Confessions, cites a visit to “Atsuta Shrine, in Owari.” Owari is now Aichi Prefecture and the city is called Nagoya. Atsuta Shrine still exists and is a major attraction, with their annual festival serving as a kind of city celebration.
In the Amaterasu eclipse story, the gods use a rope to draw her out of the cave. Ropes have a long tradition in Shinto as symbols of divinity and authority. Often you see ropes as part of Shinto shrines, as in this sacred tree:
You see a similar rope as part of the ceremonial garb worn by Sumo Yokozuna — the title is usually translated “Grand Champion” but literally means “horizontal rope”!
There are some truly extraordinary shrine ropes, though, created as part of massive community festivals:
